Paul shares his experience of being objectified on the London Tube by two American women. Noticing that the two women were talking about him, Paul felt himself play to the attention. In fact, he admits changing his posture, shifting his eye contact, and generally playing the role of sex object. When the women left the train, Paul had an epiphany: attractive women go through this on a daily basis. It’s both a trap and an opportunity. When women realize they can play this card they have a choice to make: how much of their identity do they want to derive from being a sex object? Next, the guys discuss what makes good film and television drama. Paul mentions Bridge of Spies, the new Spielberg film, as a great example of a film in which the protagonist takes a morally ambiguous position. Because of this, the audience members ask themselves, “Would I make the same decision if placed in a similar situation?” In another drama – the British television series Scott & Bailey (which follows two female homicide detectives in Manchester) – the female lead makes some unflattering choices, forcing the audience into an ambivalent position. Do we support her, or not? Either way, the audience is invested. That’s good drama. Finally, the guys talk about the arrogance of youth which allows people in their 20’s to be dismissive of romantic partners or career choices based on a vision of what they want in later life. Peter and Paul discuss Kierkegaard’s famous observation and reflect on how difficult it is to know when we’re young what will make us happy when we’re old.
- Categories: Podcast